History Of Fashion Illustration

The illustration of fashion through drawings, illustrations, paintings is referred as Fashion Illustrations. Fashion Illustration is usually, closely associated with the reproduction of fashion in the magazines, for the promotion and advertisement of the fashion designers, stores and boutiques.

As the clothes came into being, a need was felt to translate the idea and portray the image of the fashion, to the people. As the time passed, the Fashion Illustration was not merely associated with the representation of the design; it became a form of art. Many philosophers referFashion Illustration as the visual luxury.

A number of companies all over United States deal with illustration of hats to all the essential fashion items using classic art techniques and unique materials to suit the particular fashion illustration requirements.

In the late sixteenth century, the costumes from all around the world were regarded as the Fashion Illustration by the Europeans. The seventeenth century, the French and German magazines published the work of many designers. The print media increased the popularity of the Fashion Illustration in the eighteenth century. The fame reached up to the ordinary man and possessed social aspirations. The era of the nineteenth century was very significant era, for the fashion illustration as artists like Charles Dana Gibson and Paul Poiret took Fashion Illustration to a new dimension.

The advancement in the field of photography changed the working manner of the Fashion illustrators. Many designers hire fashion illustrators to assist them for designing clothes and to gather the attention of the potential buyers.

An effective illustration of the clothes is very helpful in portraying the image of the attire better than a photograph. Moreover, the fashion illustrators have very significant position in the eyes of the designers, as their drawings enable the designers to determine the direction of their work, and make their collection appear more unified.

Fashion Illustration has become a wider field, nowadays. It is divided into three distinctive categories.   The sensualist depicts the work with the traditional form of processes and the materials. The technocrats employ the digital means of creating the images. And the Gamines and Sophisticates are playful in their work which reflects the whimsical references of the traditional forms of the fashion illustrations.